%% Generated by lilypond-book.py
%% Options: [linewidth=160\mm,alt=[image of music],printfilename,indent=0\mm,texidoc]

#(set! toplevel-score-handler ly:parser-print-score)
#(set! toplevel-music-handler (lambda (p m)
			       (ly:parser-print-score
				p (ly:music-scorify m p))))

#(ly:set-option (quote no-point-and-click))

#(define version-seen? #t)







% ****************************************************************
% Start cut-&-pastable-section 
% ****************************************************************

\paper {
  #(define dump-extents #t)
  
  linewidth = 160\mm
  indent = 0\mm
}

\layout {
  
}



% ****************************************************************
% ly snippet:
% ****************************************************************
\renameinput "chord-names-languages.ly"
\version "2.6.0"
\header  {
    texidoc = "@cindex Chord Names German
The english naming of chords (default) can be changed to german 
(@code{\germanChords} replaces B and Bes to H and B), semi-german 
(@code{\semiGermanChords} replaces B and Bes to H and Bb), italian
(@code{\italianChords} uses Do Re Mi Fa Sol La Si), or french
(@code{\frenchChords} replaces Re to Ré).

" }

scm = \chordmode {
    e1/d c:m
    % c/c cis/cis
    % yeah, we get the idea. -hwn
    
    % cisis/cisis ces/ces ceses/ceses
    b/b bis/bis bes/bes
    % beses/beses
} 


\layout {
    raggedright = ##t 
    \context {\ChordNames \consists Instrument_name_engraver }
}

<<
    \new ChordNames {
	\set instrument = #"default"
	\scm
    }
    \new ChordNames {
	\set instrument = #"german"
	\germanChords \scm }
    \new ChordNames {
	\set instrument = #"semi-german"
	\semiGermanChords \scm }
    \new ChordNames {
	\set instrument = #"italian"
	\italianChords \scm }
    \new ChordNames {
	\set instrument = #"french"
	\frenchChords \scm }

    \context Voice { \scm }
>>



% ****************************************************************
% end ly snippet
% ****************************************************************